photo: Michael Young
Rebecca Allan is a New York-based visual artist known for her richly layered and chromatically nuanced abstract paintings. She is represented by Anna Kaplan Contemporary (Buffalo) and David Richard Gallery (New York/Santa Fe). Her work investigates watershed environments of the Northeast, Pacific Northwest, New Mexico, the Gulf Coast, Lebanon, France, and Norway, and is inspired by her interest in landscape ecology, botany, and geology. The artist’s studio overlooks the Spuyten Duyvil, at the confluence of the Harlem and Hudson Rivers in The Bronx.
Exhibiting in the United States and abroad for over 25 years, Allan has been represented in 40 solo, and 23 group exhibitions. Her work was recently acquired for the permanent collection of the United States Embassy in Olso, Norway. She is also a contributing writer for publications including Fine Art Connoisseur, and artcritical.com. In addition, she has had a professional career as arts administrator and programs curator, museum educator, garden records manager, and teaching artist. Her positions have included: Plant Records Manager at Iroki/The Steinhardt Garden (2016-19); Director of Public Programs at Bard Graduate Center for Studies in the Decorative Arts, Design History, and Material Culture (2006-14); Curator of Education at the National Academy Museum (2004-06) and (ongoing), Instructor at The College of Mount Saint Vincent in The Bronx. In February 2015, Allan was invited to Lebanon as a visiting artist at Lebanese American University in Beirut. In 2009, she was the first visual artist to have an exhibition, and to present a joint lecture with ecologist Dr. David Strayer at the Cary Institute of Ecosystem Studies, a scientific research institute in Millbrook, New York. From 1990 to 1993 Allan was a museum educator at Seattle Art Museum where she developed the museum’s inaugural Art Studio Program.
Allan’s most recent solo exhibitions were presented at David Richard Gallery (Santa Fe), Anna Kaplan Contemporary (Buffalo, NY); Rockefeller Brothers Fund, New York; Meredith Ward Fine Art, New York; The College of Saint Benedict, Saint John, MN; Doane University, Lincoln, NE; Lillian August Gallery, Norwalk, CT; Marsh Gallery, Indiana-Purdue University at Indianapolis, IN; The Performing Arts Center at SUNY Purchase College; Hudson Opera House Gallery, Hudson, NY; Nancy Dryfoos Gallery at Kean University, NJ; ArtLab 78, New York, NY; Tippetts Gallery, Utah State University; and 2/20 Gallery, New York, NY. Her 2011 exhibition, Horizon Lines, at Seattle Art Museum (SAM) Gallery was presented in tandem with a collaborative work of the same title for chamber music and film, commissioned by the Seattle Chamber Music Festival and created with composer Laura Kaminsky and filmmaker John Feldman. Allan’s work is represented in the U.S. Art-in-Embassies Program and has been exhibited in Equador and Djibouti. She is also represented in the Bronx Artist Documentary Project, the first photographic record of visual artists in the borough.
In 2012, Allan became a principle collaborator of The Crossroads Project: Rising Tide—working with physicist Dr. Robert Davies and The Fry Street Quartet (at Utah State University), Laura Kaminsky, and Canadian environmental photographer Garth Lenz. This trans-disciplinary work of “performance science” addresses climate change through the perspectives of environmental science, chamber music, and visual art. The Crossroads Project creators were the keynote presenters at the National Conference of the Association for the Advancement of Sustainability in Higher Education in Los Angeles in 2012, and more recently for the Ecological Society of America in Baltimore in 2015. The work has been presented at venues in the U.S. and abroad including: University of Monterrey (Mexico), Boston University, University of Iowa, SUNY Purchase College, Utah State University, University of North Carolina, Asheville, and in New York City at Wave Hill and Symphony Space.
Since 1993, Allan has been awarded artist’s residencies at The Camargo Foundation in Cassis, France (2016); The Hermitage Artists Retreat, Englewood, Florida (2011, 2012, 2014); Centrum Foundation, Port Townsend, WA (2007, 2008, 2011); Virginia Center for the Creative Arts, Amherst, VA, (2006, 2009, 2013); and Dorland Mountain Arts Colony, Temecula, CA (1993, 1994, 2010).
Allan is the recipient of artist grants from King County (Washington) Arts Commission Arts-in-Education 2003, 1997; Seattle Arts Commission Arts-in-Education 1998; and Allied Arts Foundation, Seattle, WA, 1996. She has held teaching, administrative, and consulting positions including: Senior Consultant for the Paris Drawing Program at the Institute of Classical Architecture & Art, New York; Instructor, Marymount Manhattan College, The College of Mount Saint Vincent, Purchase College, and New York Botanical Garden Continuing Education Program; Rostered Teaching Artist and Teacher Trainer, Washington State Arts Commission (1997-2003); Acting Department Chair and Instructor, Design Department, Cornish College of the Arts (1997-2000 & 2003); Faculty Member, Gage Academy of Fine Art, Seattle (1995-2003); Visual Arts Specialist, Allegheny College Aesthetic Education Program, Meadville, PA.
Rebecca Allan is represented by Anna Kaplan Contemporary (Buffalo), David Richard Gallery (New York and Santa Fe) and Elizabeth Sadoff Art Advisory.
“My paintings are rooted in the dramatic cycles of nature as well as a deep curiosity about science, and the forces underlying what we observe on the surface of things. My working process involves drawing, mixing pigments and layering color over time — in response to the environment, and to observed and felt experience. For me, the language of color is a sanctuary within which the questions and problems of art making — indeed, of life — are confronted. I work within a transcendental American landscape tradition that includes painters such as Charles Burchfield, Joan Mitchell, and Neil Welliver but I also draw from the works of Renaissance masters such as Giovanni di Paola and Pieter Breughel in my desire to invent a new, cosmological landscape.”